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Author
Language
English
Formats
Description
"The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. "They're not going to catch us," Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local...
Author
Publisher
Arcade Publishing
Pub. Date
[2017]
Language
English
Description
"With powerhouses like Tina Fey, Amy Poehler, and Amy Schumer dominating the entertainment landscape and memoirs from today's most vocal feminist comediennes shooting up the bestseller lists, women in comedy have never been more influential. Marking this cultural shift, The Girl in the Show provides an in-depth exploration of how comedy and feminism have grown hand in hand to give women a stronger voice in the ongoing fight for equality. From I Love...
Author
Publisher
University of Iowa Press
Pub. Date
[2021]
Language
English
Appears on list
Description
"Cracking Up archives and analyzes Black feminist stand-up comedy in the United States over the past sixty years. Looking closely at the work of Jackie "Moms" Mabley, Mo'Nique, Wanda Sykes, Sasheer Zamata, Sam Jay, Phoebe Robinson, Jessica Williams, and Michelle Buteau, this book shows how Black feminist comedy and the laughter it ignites are vital components of feminist, queer, and anti-racist protest. Cracking Up frames theatre and live performance...
Author
Publisher
Oxford University Press
Pub. Date
[2018]
Language
English
Description
"Entangling questions of sexiness to race, gender, and class, The Case of the Sexy Jewess frames an embodied joke-work genre that is most often, but not always meant to be funny. In a contemporary period after the thrusts of assimilation and women's liberation movements, performances usher in new versions of old scripts with ranging consequences. At the core is the recuperative performance of identity through impersonation, and the question of its...
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