1001 movie posters : designs of the times
(Book)

Illustrated endpapers.

Includes bibliographical references (pages 632-633) and index.

The most comprehensive overview of movie posters ever published, 1001 Movie Posters is a definitive coffee-table volume from world authority on the art form, Tony Nourmand. Spanning more than a century of global imagery, the book celebrates the most arresting, aesthetically powerful examples of the genre, including a number of posters that have never been published before. There has always been a raw immediacy to film posters: provoking and enticing, shocking and seducing audiences across the threshold of the movie theater. The artists tasked with communicating that have been at the forefront of design: groundbreaking visionaries such as Saul Bass and Paul Rand; Eastern European artists using poetic, surreal and often disturbing imagery in highly original and subversive concepts. Other poster artists have woven contemporaneous movements in art and popular culture into their designs, creating a time capsule of the obsessions and concerns of a different era. Iconic posters for films such as 'Metropolis', 'The Man with the Golden Arm', 'Breakfast at Tiffany's' and 'Goldfinger' sit alongside more unexpected and lesser-known artwork for films such as '2001', 'Star Wars', 'Taxi Driver' and 'The Birds'. Nearly all cinematic movements are included, from early silent masterpieces through German Expressionism, film noir of the 1940s, 1950s science fiction, the psychedelic imagery of the 1960s, the gritty violence and retribution of the 1970s and 1980s, and then onward into the 21st century, where the stripped-back graphics nod back to the Bass minimalism of the 1950s. An extraordinary visual compendium, '1001 Movie Posters' is the final word on movie posters and a must for film lovers and anyone interested in the power of advertising and design.

"Warning. Readers may find upsetting some of the visual images and words contained in posters dating from past times. The posters have been presented in this book exactly as they were first printed, for historical and study purposes. This book in no sense endorses the images and sentiments expressed in some posters which were issued many years ago."--Page 5.