Jodi Hauptman
Author
Publisher
The Museum of Modern Art
Pub. Date
2016
Language
English
Description
"Edgar Degas is best known as a chronicler of the ballet, yet his work in monotype reveals his restless experimentation. In the mid-1870s, Degas was introduced to the monotype process -- drawing in ink on a metal plate that was then run through a press. Captivated by the monotype's potential, he embraced it with enthusiasm, taking the medium to radical ends. He expanded the possibilities of drawing, created surfaces with heightened tactility, and...
Author
Publisher
Museum of Modern Art
Pub. Date
[2007]
Language
English
Description
"Once described as "the most beautiful painter's drawings in existence," Georges Seurat's mysterious and radiant works on paper played a crucial role in his career. Though Seurat is most often remembered as the inventor of pointillism and for paintings like Un Dimanche a la Grande Jatte, his incomparable drawings are among his - and modernism's - greatest achievements. Working primarily with conte crayon on paper, Seurat explored the Parisian metropolis...
5) Engineer, agitator, constructor: the artist reinvented, 1918-1939 : the Merrill C. Berman Collection
Publisher
The Museum of Modern Art
Pub. Date
[2020]
Language
English
Description
"How the modernist avant-gardes from Dada to constructivism reconceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world. "We regarded ourselves as engineers, we maintained that we were building things...we put our works together like fitters." So declared the artist Hannah Höch, describing a radically new approach to artmaking in the...
Publisher
The Museum of Modern Art
Pub. Date
[2021]
Language
English
Description
"'Drawing is merely the configuration of what you see,' Paul Cézanne wrote, and his practice of drawing, he believed, taught him 'to see well.' Cézanne drew almost daily, hiking out into the hills or into dense forests for views of nature; returning repeatedly to subjects close at hand, such as his wife, his son, his own likeness, and the bottles, pitchers, and fruit in his home and studio; and envisioning scenes, both violent and idyllic, from...